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But he just isn’t wealthy or well-connected enough to get into Ben’s world and uncover the secrets there.Even at the end of the film, mysteries linger like smoke. Either way, the message is that Ben is privileged enough to get away with anything.
Faulkner lets each family member, including Addie, and others along the way tell their private responses to Addie's life.
This complete collection includes all of the published stories of Eudora Welty.
LEE CHANG-DONG’S “Burning” arrives in British and Irish cinemas heralded by two prestigious recommendations.
One is that it was shortlisted for Best Foreign Language Film at the Oscars.
Nebraska in the 1880's - bleak, lonely, and far from what you'd expect The Wild West to be.
But for a nave Swedish immigrant, the frontier parlor of "THE BLUE HOTEL" represent the quintessential western fantasy.Granny Weatherall (Geraldine Fitzgerald) is a spunky old lady of eighty who bosses her doctor and her children. Yet she has never had the upper hand in her destiny.Lost in a world of fantasy, young working-class Paul dreams of escaping his dreary existence in turn-of-the-century Pittsburgh.First published in 1929, Faulkner created his "heart's darling", the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers: the idiot Benjy, the neurotic suicidal Quentin, and the monstrous Jason.At the heart of this 1930 novel is the Bundren family's bizarre journey to Jefferson to bury Addie, their wife and mother.The other is that it featured on Barack Obama’s list of best films in 2018.Both of these recommendations are well deserved, and they may be crucial in encouraging audiences to seek out a film which is so tricky to classify.It is there that he bumps into a former schoolmate, Hae-mi (Jeon Jong-seo), who has the confidence and vivacity he lacks. Ben has a black Porsche and a designer apartment in Gangnam, a fashionable Seoul district.What’s more, Ben “cooks pasta while listening to music”, which, to Jong-su, epitomises metropolitan sophistication.As befuddled as Jong-su is, the viewer might well believe that they have a handle on “Burning” at this stage: the film seems to have coalesced into an enjoyably awkward romantic comedy about a maddening love triangle. When Ben and Hae-mi visits Jong-su’s farm near the border with South Korea, Ben coolly mentions that his hobby is setting fire to abandoned greenhouses he spots in the countryside.Is he telling the truth, or has he found another way of bamboozling his host?