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The Creature murders Frankenstein’s younger brother, but he, too, is driven to that course of action by a society that scorns him.The Creature spies on a family in the wilderness and learns human language, customs, and history.
Hyde is incredibly animalist ic; simian elements are conjured up when he is described in a later confrontation: ‘Hyde broke out of all bounds and clubbed him to the earth.
And next moment, with ape-like fury, he was trampling his victim under foot and hailing down a storm of blows’ (27).
By doing so he symbolizes his creator’s repressed desires in a stifling society.
The stories have parallel structures in the three main ways. Jekyll and Frankenstein are scientists who, though welcomed by society, find it constraining and often alienate themselves.
Words like ‘bounds,’ ‘clubbed,’ ‘earth,’ ‘ape-like,’ and ‘storm’ all reinforce the reader’s idea of Hyde being a thoroughly primitive savage, and the repetition of ‘trampling’s erves as an excellent mini-motif.
Though Hyde tramples his victims, has he not been trampled in the same way by the oppressive society that condemns him at a glance?Jekyll’s associations with demonic and insane imagery contrasts with the well-polished society from which he struggles to extricate himself.His self-imposed isolation is the least harmful manner he uses to show his displeasure with society. Under the guise of protecting his friends and fianc ” ee from the Creature that stalks him, the scientist decides to leave England instead of marrying: ‘My journey had been my own suggestion, and Elizabeth, therefore, acquiesced; but she was filled with disquiet at the idea of my suffering, away from her, the inroads of misery and grief’ (149).Fulfilling his prophesy, the rest of the family barges in: ‘Who can describe their horror and consternation upon beholding me? Just because they are looked down upon by society ...’ (131) The Creature’s status as pariah differs in one major respect from Hyde’s; though they both possess loathsome appearances, the Creature’s soul, at the beginning of his life, at least, is as pure as could be hoped for, while Hyde’s black heart shows in his face. limited number of victims of child abuse who become perpetrators of murder. the concept of homicide in American society, rather than attempting to understand and ... For heterosexual men, young and elderly women become their ... where he studies anatomy and works to create his creature. Hyde uses a stick to club his victim to death: ‘The stick with which the deed had been done, although it was of some rare and very tough and heavy wood, had broken in the middle under the stress of this insensate cruelty; and one splintered half had rolled in the neighbouring gutter-the other, without doubt, had been carried away by the murderer’ (28). The broken stick, a gift from Utterson to Jekyll, further emphasizes the duality of man’s nature, and half of its destination, the gutter, outlines Stevenson’s view of that nature. He resembles nothing so much as a child or prehistoric man in these episodes, first discovering fire, then bits of language, and finally emotion.He confronts the elderly father of the family and predicts his fate if he is not taken in by them: ‘I am full of fears, for if I fail there, I am an outcast in the world forever’ (129). children do their daily work without griping as well.Hyde is a deformed character who evokes horror and disgust in those who contact him.He lashes out in this seemingly chance encounter, but his trampling a child’s body, a figure of innocence that would find his scarred visage doubly repugnant, is indicative of his deep-rooted discontentment with his environment and his own psyche.