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Josephine informs her "in broken sentences; veiled hints that revealed in half concealing." Their assumption, not an unreasonable one, is that this unthinkable news will be devastating to Louise and will threaten her weak heart.
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The knowledge reaches her wordlessly and symbolically, via the "open window" through which she sees the "open square" in front of her house.
The repetition of the word "open" emphasizes possibility and a lack of restrictions. The trees are "all aquiver with the new spring of life," the "delicious breath of rain" is in the air, sparrows are twittering, and Louise can hear someone singing a song in the distance. She observes these patches of blue sky without registering what they might mean.
It is difficult to discuss "The Story of an Hour" without addressing the ironic ending.
If you haven't read the story yet, you might as well, as it's only about 1,000 words.It's not so much about getting rid of her husband as it is about being entirely in charge of her own life, "body and soul." Chopin writes: "There would be no one to live for her during those coming years; she would live for herself.There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a will upon a fellow-creature." When Brently Mallard enters the house alive and well in the final scene, his appearance is utterly ordinary.The Kate Chopin International Society is kind enough to provide a free, accurate version.At the beginning of the story, Richards and Josephine believe they must break the news of Brently Mallard's death to Louise Mallard as gently as possible.Getting a glimpse of her life with an absolute and fresh freedom gives her the strength to abandon a life of solitude and to "spread her arms out [. Aside from the springtime, Chopin creates an atmosphere that parallels ... Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Mallard had survived, and within an hour the promises of a bright future for Mrs. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471).This statement embodies the distorted misconception that a woman lives only for her man. To Louise her life was elongated at the news of her husband's death, not cut short.Louise immediately takes herself to a room where, "facing the window [sat] a comfortable, roomy armchair" (Chopin 470).The news of her husband's death leaves her feeling lost and confused, seeking answers about her future.Mallard's escape from oppression at the ironic cost of her life.Chopin sets the story in the springtime to represent a time of new life and rebirth, which mirrors Louise's discovery of her freedom.