Tags: My Family Essay For KgDescribing Essay PersonWhat Was The Frontier ThesisBusiness Plan For CafeGood Definition Essay TopicsNumber Stairs Maths CourseworkCollege Level Essay Format
Rock and roll influenced daily life, fashion, attitudes and language in a way few other social developments have equalled.
Yeah, the way this music gets appropriated by side of things; it kind of boggles the mind. Obviously, there’s a long history of politicians, particularly on the right, clumsily using rock and pop music, the Reagan-Springsteen example being the most iconic.
But at the same time, it speaks to the extent to which a lot of that music has been really drained of its context, and drained of understandings of the contexts that produced it, understandings of the various political and cultural commitments of the artists that produced it... One of the things that did inspire me to write the book: So much of the music that I discuss in this book is so incredibly famous. A lot of the songs I write about are songs that people are really sick of hearing.
Especially in light of the book, what do you make of Trump using “You Can’t Always Get What You Want” as his campaign music?
What’s odd to me—no, it’s not odd, it’s depressing—is the way that rock music, particularly rock music of the 1960s and ’70s, has become the soundtrack to the reactionary right, the way it’s become the white-male right-wing revanchist soundtrack.
seems like something that’s been on rock history’s tongue for a long time without ever quite leaving it. The book, out September 26, began life as Hamilton’s graduate thesis (he’s a professor at the University of Virginia).
Chuck Berry, a black man with a guitar, had been a rock and roll archetype in 1960, but by the end of the decade Jimi Hendrix would be seen as rock’s odd man out for being... But while it’s intellectually rigorous, is also clearly and entertainingly written—not a surprise to anyone who reads Hamilton on Slate, where he’s one of their music critics.
The rock and roll lifestyle was popularly associated with sex and drugs.
Many of rock and roll's early stars (as well as their jazz and blues counterparts) were known as hard-drinking, hard-living characters.
As Hamilton point out, this mindset often put black rock and rollers into the “predecessors” category even when the musicians in question were peers and contemporaries, like when a Beatles biographer claims Smokey Robinson as a precursor when, in fact, Robinson was born the same year as John Lennon.
Even that précis doesn’t do justice to the richness of Hamilton’s ideas, or his wide-ranging research, both archival and musicological—the latter particularly during a chapter on the musical interrelationship of Motown and the Beatles.